伊莱·罗斯自己的恐怖电影拍摄纪录片。

马克揭露了他最喜欢的年代——20世纪50年代和60年代的电影背后的故事，这激发了他毕生对恐怖的热情。这些主要是英国电影，由传奇的汉默电影主导，他改写了恐怖的规则，以革命性的注入性和全彩的血腥——所有的镜头都在英国本土拍摄。

Three-part series in which actor and writer Mark Gatiss (The League of Gentlemen, Doctor Who, Sherlock) celebrates the greatest achievements of horror cinema. Mark uncovers stories behind the films of his favourite period - the 1950s and 60s - which fired his lifelong enthusiasm for horror. These mainly British pictures were dominated by the legendary Hammer Films, who rewrote the horror rulebook with a revolutionary infusion of sex and full-colour gore - all shot in the English Home Counties. Mark meets key Hammer figures to find out why their Frankenstein and Dracula films conquered the world, making international stars of Christopher Lee and Peter Cushing. He looks at the new boom of horror that followed in Hammer's wake, including the ravishing Italian movie Black Sunday, and talks to the influential American producer Roger Corman about his disturbing and dreamlike Edgar Allan Poe films. He also explores the intriguing cycle of British 'folk horror' films, such as The Wicker Man and Mark's personal favourite, Blood on Satan's Claw. Mark also speaks to leading horror ladies Barbara Steele and Barbara Shelley about their most famous roles, makes a pilgrimage to Whitstable, home of Peter Cushing, and finds out why Dracula's bedroom activities got the British censor steamed up.

Delving into a century of genre films that by turns utilized, caricatured, exploited, sidelined, and finally embraced them, this is the untold history of black Americans in Hollywood through their connection to the horror genre.

Sarah, a pagan high school student, is sexually assaulted. In an emotional felt revenge, she summons the likes of Freddy Krueger, Ghostface, Jason Voorhees, Michael Myers, and other horror movie icons to kill her peers.

The Werewolf We all know what to fear when the moon is full, but where did the werewolf legend come from? The villagers of 16th century Bedburg in Germany had always feared the forest that encircled them. This fear was heighened when young girls of the village started going missing. Footprints in the snow led to trails of blood. Superstitious minds wanted to believe this was the act of a wolf, or even worse, a demonic half-man, half-wolf. The villagers went looking for a beast in the woods, but the creature they were looking for was much closer to home. Part whodunnit, part inside-the-mind-of-a-monster, Werewolf: True Horror dramatises the shocking story that provided the blueprint for cinema’s iconic werewolves. Dracula 15th century Romania. Three monks find themselves chained to the wall of a dripping cell in the castle of Vlad Dracula, Voyvoyd of Wallachia, more commonly known as Vlad the Impaler. Over time, Dracula would go down as one of the most terrifying rulers of Medieval Europe, a psychopathic mass-murderer, who stood between Christian Europe and the advancing armies of the Ottoman Turks. From the outset the monks are tested, climaxing in a trial of brutality in which they are called to answer truthfully whether Vlad Dracula will be warmly received in Heaven. Waiting for them is a forest of wooden stakes, ends rounded to stop them puncturing internal organs, prolonging their gruesome effect. The most appallingly slow, painful death imaginable will be their fate if they choose the wrong response. Dracula: True Horror dramatises the vicious story that gave birth to the Dracula of fact and fiction. Frankenstein 19th century London, two decades before Mary Shelley wrote her acclaimed novel. Professor Giovanni Aldini is a pioneering scientific showman, who uses electricity to reanimate animals, sever human limbs and the corpses of recently beheaded criminals. But Aldini needs a whole body, a strong, male specimen, very recently killed by asphyxiation, to attempt his most ambitious experiment: a complete reanimation. In short, Aldini wants to play God. Aided by Mr Pass, the man whose job it was to procure bodies for the surgeons to anatomise, an ideal specimen is identified - a strong young man accused of murdering his wife and child. The evidence against George Foster is flimsy, but Aldini and his assistant are determined to have their good clean hanging. Within the hour an electrified rectal probe is applied to try to bring this unfortunate man back to life. The experiment, like no other, has an extraordinary, lethal climax. Frankenstein: True Horror dramatises the chilling story that inspired Mary Shelley’s Frankenstein.

11月13日巴黎事件之后，露西、马利卡和文森特发现自己处于追捕袭击者的核心位置。他们很快就面临着进一步袭击的威胁

《心理治疗》中，一个神秘杀手成为了探索人性的关键。